Freeing Macromedia Freehand

2011 July 21st

 

Prior to Adobe’s acquisition of Macromedia in 2005, Macromedia Freehand was one of the two sole serious competitors in the vector graphics landscape (the other being Adobe’s own Illustrator). Currently the entire market is dominated by Adobe, which has some of Freehand’s loyal users up in arms. Post acquisition, Adobe discontinued Freehand in attempts to produce a forced migration to Illustrator so as to bolster its user-base, and cease any further development. The Free Freehand organization was created in response to this action by Adobe, and has since filed a civil antitrust complaint in the U.S. District Court of the Northern District of California against Adobe Systems Inc. Free Freehand hopes that such a suit will pressure Adobe into either updating the source code to a stable state that operates on modern operating systems, or to release the source code and license it to the open source community (presumably under a license such as the GPL, MIT, BSD, or MPL licenses). This would allow for further development, and possibly the release of Freehand as free (gratis) software.

 

It is interesting that this movement has come to light as it is not without precedent, given Freehand’s varied past. Freehand was created by Atsys Corporation in 1988, and was licensed to Aldus Corporation through version 4. In 1994 Aldus merged with Adobe, who produced competitors to many of Aldus’ products (such as Illustrator and Photoshop). Altsys sued Aldus on the basis that the merger was a break of the terms of their licensing agreement. This response was due in part to extensive media coverage of the concern expressed by consumers that Adobe would become a de facto monopoly. The Federal Trade Commission agreed, and issued a complaint stating that Adobe could not acquire any professional illustration software within the next 10 years without the commission’s approval. In late 1994, Altsys was acquired by Macromedia, who produced updates to the product through 2004. The acquisition of Macromedia by Adobe conveniently occurred 11 years after their merger with Aldus, thus circumventing any legal action. Considering that competition spurs innovation, it would be thrilling to see Free Freehand succeed.

 

Via: The Graphic Mac

  • mark

    I saw your tweet on this and open source or a commercial developer that takes good care of FreeHand is ok by me. I’ll pay full price for an Intel OSX version with all the fixes, features, and development path laid out. Sheer utopia!

  • http://www.thecloudninedesign.com Zachary Trychel

    I’ve always been an Illustrator guy myself, but I absolutely agree.  It would be interesting to see such a product ported over to Linux in the future, and what implications that would have on both the open source community, and the design industry.

  • mark

    Right you are, and the point being we both want to have a choice of the vector drawing tool that feels comfortable to use. Like you say here, “competition spurs innovation.” Like Adobe says on their website, “Innovation thrives when people are free to choose the technologies that enable them to openly express themselves” Then let it happen!

  • http://www.thecloudninedesign.com Zachary Trychel

    I rather enjoy how contradictory large corporations can be at times.  Do you have a Twitter handle I could follow Mark?

  • mark

    @maeric9 on twitter (not that I keep it very active)  I also follow @FreeFreeHand  And thanks for this article Zach; I’ll send other FreeHand friends this way. You have a good take on the situation for Ai and Fh users alike.

  • mark

    @maeric9 on twitter (not that I keep it very active)  I also follow @FreeFreeHand  And thanks for this article Zach; I’ll send other FreeHand friends this way. You have a good take on the situation for Ai and Fh users alike.

  • http://www.thecloudninedesign.com Zachary Trychel

    Thank you very much for finding me in the crowd of many Mark.  The future of Freehand is a very important issue, and the larger the discussion we can kindle, the better.

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